The Razzies canceled the nomination of Shelley Duvall for the worst actress for “The Shining”. Here’s why.

In a statement explaining the decision, the agency said: “We have since discovered that Duvall’s performance was influenced by Stanley Kubrick’s conduct throughout production.” Earlier this year, in an interview with Vulture, Razzies co-founder Mo Murphy said she regretted the choice: “Knowing the background and the way Stanley Kubrick pulverized it,” Murphy said. “I would take that. . back.”

Duvall plays the fossilized wife of Jack Torrance (Jack Nicholson), a writer who works as an out-of-season caretaker at the secluded Overlook Hotel, loses his mind and tries to kill his wife and son (Danny Lloyd). The 1980 film has garnered recognition from its original mixed-use reception – ranking 29th in the American Film Institute for “100 Most Exciting American Films.” But in the years since the film’s release, the toxic conditions surrounding Duvall’s performance have come to light. Footage from “Making ‘The Shining'”, a short documentary shot by Kubrick’s 17-year-old daughter Vivian, and a 2021 interview with Duvall in the Hollywood Reporter. revealed an abusive environment in which Kubrick tried to keep his protagonist in a state of constant panic and made the horror a reality by scolding her and alienating her on set.

The Razzies’ decision to withdraw Duvall’s candidacy is part of a wider debate about the dangers and disadvantages of the Acting Method, which often involves actors seeking complete emotional identification with a character – sometimes by extreme means. The decision to cancel Razzie’s candidacy also comes as Hollywood reckons with the politics of false anecdotes, with comedians such as Amy Sumer apologizing for racist jokes and Eddie Murphy expressing remorse for harmful homophobic crises in the past.

Founded by UCLA Film School alumni John Wilson and Murphy in 1981, the Razzies award the annual “Worst” category, voted by members of the group, described as “in every continent and 49 US states except from one of the Carolina. Awards are given – and usually received – with good humor. In 2011, actor Tom Green appeared at the ceremony on his own little red carpet and played the accordion until he was kicked off stage. That same year, Sandra Bullock brought a stroller full of DVDs from her Razzie-winning film “All About Steve.” This year’s winners, which were announced online, were LeBron James for “Space Jam: A New Legacy”. According to the Razzies website, he has won a trophy, spray-painted gold, valued at $ 4.97.

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Wilson says their own mission contributed to the decision to take back the two Razzies. In doing what we do, having the slogan “Sit down your evil”, we must respond to our own mistakes. “We have to have our own evil,” he told the Washington Post in a joint telephone interview with Murphy. “We do not want to be bullies,” Murphy added. “We want to make humanity famous.”

This week, Wilson and Murphy highlighted humanity in a different way: acknowledging an actress’s personal pain. During the first year of the awards, the Razzies nominated Duvall as their worst actress. That same year, Stanley Kubrick was nominated to direct a poor adaptation of Stephen King’s 1977.’s novel (King himself famously devalued Kubrick’s adaptation, likening Diwal’s interpretation to a “scream”).

Duvall’s performance in the film has been criticized as excessive and her character has been described as weak and submissive. But Michael Bluin, a professor of English at Milligan University who studied King and co-edited “Violence in Stephen King’s Movies,” feels differently.

“Kubrick was trying to give that meta-comment on the kind of horror. “The film is supposed to be cartoonish,” he says. “If it’s an unrealistic depiction, it was meant to be. If it seems weak, I think it just shows a blindness to what is really going on in abusive relationships. And that speaks volumes about our blindness to the relationships that were happening on set as well. “

Over the years, it has become clear that Diwal was not just pretending to be terrified, but was often really terrified. Vivian Kubrick’s documentary, originally shown on British television, shows Duvall collapsing from exhaustion on set and being applauded by Elder Kubrick, who is said to have isolated and criticized the actress in an attempt to alienate the character. in the movie.

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Known as a perfectionist, Kubrick is said to have never finished a shot before his 35th shot. The famous “Here’s Johnny” scene, in which Nicholson’s character pierces the bathroom door, resulted in 60 broken doors in three days of filming. Kubrick needed 127 shots to complete the stairwell scene in which Duvall holds a baseball bat in front of her husband – a bit ashamed of the Guinness World Record of 148 reps set by another scene in the film.

While giving an interview to the Hollywood Reporter last year, Duvall burst into tears as he watched the staircase scene again. “I can only imagine how many women go through this kind of thing,” she said.

The shooting of “The Shining” – which lasted almost a year, instead of the planned 17 weeks – affected Duvall’s health. He had to constantly carry Lloyd and maintain a state of constant panic. He called the experience “hard work; almost unbearable”, telling Roger Ebert in 1980 that during the last nine months of filming he had to cry 12 hours a day, five or six days a week. He likened it to “Primal Scream therapy”.

To prepare for scenes, she listened to sad music or thought about close moments in her life. “But after a while, your body revolts,” he told the Hollywood Reporter. He says: Stop doing this to me. “I do not want to cry every day.” “And sometimes just that thought made me cry.”

During filming, Duvall struggled with illness and her hair fell out of stress. At one point in the making of the documentary, Diwal shows the director pieces of her hair. Kubrick responds by telling her to get ready for the next scene and then says, “I do not sympathize with Seleu.”

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Murphy believes that the psychological damage caused by Kubrick may have caused permanent damage to Dival’s career. “He was such a cool, quirky, three-dimensional character. “It was a pleasure to see her on screen,” Murphy said of her previous appearances. It just seems to me that there has been a change since ‘The Shining’. ”

In recent years, Duvall has faded from the limelight. He left Hollywood in the 1990s after producing successful children’s programs for cable television. Now 72 years old, Duvall lives in Texas with her partner, musician Dan Gilroy. Duvall’s last performance was 20 years ago, in “Manna from Heaven”.

More recently, he received unwanted attention after a 2016 interview on “Dr. Phil ”TV show, in which he spoke incoherently and shared seemingly paranoid thoughts. At one point she suggested that Robin Williams, her co-star in “Popeye”, might still be alive and “changing shape”. Celebrities have criticized host Phil McGraw, a clinical psychologist, for taking advantage of a vulnerable issue.

But over the years, her character in “The Shining” continued to receive criticism. In an interview with the BBC in 2013, King said the film felt “cold”, citing Duvall as one of the most misogynistic characters ever to appear in a movie. “She’s basically there to scream and be stupid, and she’s not the woman I wrote about.”

What seemed to bother King the most was how distant the characters seemed. Kubrick had spectators watching the Torrans as “ants on an ant hill,” King complained – and Diwal’s experience suggests that Kubrick may have looked his actress in this way.

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