The latest Disney movie trend

Disney has been making cartoons for a long time, with decades of classic children’s work under their belt. Fans tend to categorize these films into different “eras”, each characterized by a particular art style and / or other commonalities, such as certain genres of narrative. For example, the Disney Renaissance, which lasted from 1989 to 1999, consisted mainly of romantic adulthood musicals.

Things got a little more complicated when Pixar was released, as with its addition, Disney had two animation studios producing feature films – all the more so when Walt Disney Animated Pictures began producing 3D animated films. These days, much of the public finds it difficult to distinguish between “Disney” and “Pixar”.

What adds to this confusion is that both have begun to follow similar trends. There was a time when I felt that every Disney movie deliberately overturned the tropes of previous Disney movies, as a way to prove to the audience that the studio had gone beyond its past. There were the notorious “surprise” criminals who quickly became predictable. Then there were the years when a huge series of movies from both Disney and Pixar ended with the main characters of a favorite franchise following separate paths.

All these new tropes were mixed with the audience as they appeared more and more often. But a new one that has appeared has received mostly positive reviews so far.

The success of Pixar in 2017 Cocoa received a brilliant reception, especially for its story focusing on a Mexican family that faces traumatic generations and learns to better understand and listen to each other. It seems that Disney and Pixar received these comments and ran with them because in the last few months two more movies have had family trauma for generations as a major conflict: Disney’s Charm and Pixar It turns red.

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While all of these movies have child or teen protagonists and are great for kids, including this issue was a great way to help Disney reach a wider audience. All three of the aforementioned films have gained strong fans of teenagers and adults, who can relate to the deeper and more subtle aspects of the trauma presented in them.

The question now is: will this follow many other Disney movie trends and stagnate quickly? Honestly, I suspect it may not age as fast as some of the others. It is not based on innovation compared to something like the bad guys of surprise, where the troparion soon lost its shock value and is just a relative arc that can be presented in different ways. Each of the three films mentioned above presents a family of different sizes from a different culture in a different time period. Each protagonist goes on a different personal journey, and while all goes well in the end for each of them, this path and end point look very different for each of them.

That being said, it is noteworthy that in each of these stories, the matriarch of the family is treated as the root of the trauma. However, she is never abused enough and seems to be a victim of circumstances. However, to keep the use of this theme fresh, it may be interesting to explore the patriarchal family trauma in the future.

Eventually, the trauma of generations as a theme allowed more adults (and children) to connect with the recent Disney result. We hope the company will continue to incorporate even more topics that audiences of all ages can enjoy and connect with.

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