The Kardashians are back on TV – with even less to say

Τthe Kardashians are back, but they will forgive you for not noticing that they were never gone. Less than a year has passed since E! the finale of his series was shown Continuing with the Kardashianspretty much the normal time between seasons of a TV show.

In the 10 months that the Kardashians have been away from our TV screens, they have virtually monopolized every other screen, as active as ever on Instagram. They have made headlines every week with divorce drama, scam rumors, an engagement, a high-profile budding relationship, a surprise birth announcement and a short-lived revival of the sex movie scandal that started it all.

And yet, all the promotional materials for the new Hulu reality show The Kardashians rely on the message “returned” reminiscent of the chorus of horror movies they sing. For the show to work, it is imperative to believe that the famous family is returning from a major break and is a Very Big Deal.

Indeed, the issue of returning home resonates throughout the series’ premiere, with reality vets often noticing how weird it feels to be back in front of a camera crew after a long break from filming. Kim says in a confession that she hates talking about herself, which, okay, you definitely do, and Khloe notices in the family that her shooting is stressful. (Momager Kris, always committed to securing the bag, replies epic, “Just suck it.”)

The Kardashians sees the First Family of TV reality move from E !, their online TV home for 14 years, to Disney-owned Hulu streaming service. The series is part of a huge, multi-year global content agreement between the KarJenner breed and the House of Mouse, signed in 2020. The new series has a more expensive, sophisticated look — think of documentary series instead of reality series. Apart from that, however, it is very similar to the original performance in tone, themes and form.

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The episodes consist of short vignettes of each family member’s life, sometimes with all or different combinations gathered for meals and celebrations. (With more control over filming schedules and personal projects and relationships that force them to be in different geographical locations, they film separately more often than in Keep.) Tonic, The Kardashians characterizes the familiar balance of unfiltered, slightly naughty humor and emotional family drama.

When the show starts, Kim prepares it On Saturday night live who hosts the show, Khloe is happily with Tristan, Kendall has COVID-19, Kylie is six months pregnant and Kris wakes up at 4am every day to start her busy girlbossing program. Kourtney has her mouth open with Blink-182 drummer Travis Barker across Southern California. As the trailers predicted, The Kardashians cleverly dedicates plenty of camera time to her older sister’s romantic tornado with punk rocker. Fans waiting for dirt on Kim’s relationship with comedian Pete Davidson or her incredibly messy divorce with Kanye West will not find it in the first two episodes, which were filmed before that fateful October day, when Kim and Pete was photographed holding hands on an amusement park train. .

I wrote in my review for Continuing with the Kardashians last year the finale that the Kardashians have overcome the need for the show, and there is nothing in the two episodes of the new series available for critique that convinces me otherwise. With their ubiquitous presence on social media, they have surpassed the pace of television production. Even 8-year-old North is now on TikTok, much to Kanye’s disappointment. We already know the gender of Kylie’s baby who was formerly known as Wolf Webster, we know that Kim is going through the baby Bar Exam in her fourth attempt and we have seen photos of Kourtney and Travis’s engagement in an entire photo album. There are literally zero bets. It’s hard to think of another show that exists so transparently just to make its billionaire subjects even richer.

But really, it would be foolish to argue that Continuing with the Kardashians it never was truly necessary (well, except for the beginning for the stars who are thirsty for fame). It was never an Emmy-worthy work of art, and it never tried to be. It was always about the pure, unadulterated value of watching Kim get upset because she lost her diamond earring in the Tahitian ocean and Chris scolded her for taking selfies on the road to free Khloe from prison. In later times, it was a matter of rolling your eyes and gazing vigorously at the increasingly exaggerated display of wealth — great birthday parties for unsuspecting babies, a $ 120 million safe house for COVID just 20 miles away from privately owned luxury homes.

As was the case with his predecessor, The Kardashians will probably infuriate the morally superior internet critics who, this year our Lord 2022, still find it subversive to hate these women – and the whole genre of reality TV, in this case – because they are stupid and useless. We know! That’s why it’s fun! (Criticizing them for their many mistakes is a different, much more valid point of view.) But while it may offer nothing new or particularly revealing, the new series will satisfy the fans of the original show who are absolutely satisfied watching the sisters sit in each other’s virgin kitchens full of glam, choosing comically large salads and gossiping about the last 21-year-old girlfriend of Scott Disick.

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The Kardashians premiere at Hulu on April 14. Meanwhile, somewhere in Calabasas, one of the women is probably spending her Disney check on a Birkin bag for her little one.

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