Rumbling review – female star power … and sex with ducks | Television

TThe anthology series Roar (Apple TV+), from the makers of GLOW, promises eight standalone stories about “what it means to be a woman today”. Given these stories involve sex with ducks, teeth popping from bloody wounds and juvenile “incel” in basements, what it means to be a woman today is certainly unsettling. This is an adaptation of a collection of short stories by Cecelia Ahern, and the doodles are oddly fun. It helps that it comes with enough star power: stars Nicole Kidman, Issa Rae and Cynthia Erivo, among many others.

The title of each episode is also the summation of the plot, and sometimes this is exposing. The Woman Who Ate Photographs has Kidman trying to care for her mother – who suffers from dementia – and starts eating the photos, causing intense visual and physical nostalgia, as if she was returning to the moment she had just consumed. The Woman Who Finds Bites in Her Skin casts Erivo as an executive and mother who suffers a bloody wound when the pulls of family life start to interfere with her work – or maybe vice versa. In The Woman Who Disappeared, Rae is a memoir who is wooed by Hollywood after her book hit big, but who begins to completely disappear while trying to hold on to her position in a meeting presided over by three identical white corporate white men. The Woman Who Was Fed by a Duck, meanwhile, has Merritt Wever as a woman in her 30s who is tired of being single and seduced by a suitor who doesn’t seem “flawed”, unlike many of the men she meets. . Applicant is not only a duck, she is a duck who pretends to be a feminist, but also has an evil nature. There are several scenes in this episode that are indelible to the mind.

See also  Hurricane Ian barrels on path to South Carolina after leaving at least 19 dead and millions without power across Florida

Each installment is about women feeling – or – unheard of, unseen, or sometimes both. The four stand outs take this idea and tie it into a more solid storyline. Betty Gilpin stars in The Woman Who Was Keep on a Shelf as a former model who becomes a literal trophy wife, until she gets tired of being passively adored and dances back into the world. It’s The Artist Is Present by Betty Friedan. Roar is indulgent enough to allow itself to be a long, beautiful musical interlude, and it’s at its best when its more experimental and confident side has room to shine. GLOW Alumni Alison Brie is a Woman Who Solved Her Own Murder, playing the ghost of a homicide victim who must hear all the assumptions rough detectives make about her life as they investigate the crime. In what is perhaps the best of the bunch, Meera Scarf is the Woman Who Returned Her Husband. It takes place in the style of Edward Scissorhands, a brightly lit suburb, and turns into a touching and surprising exploration of marriage, routine, and the conflict between resilience and happiness. And The Girl Who Loved Horses is a fantastic-looking mini-western/buddy film that uses Alfred Molina as the villain.

When the series is at its weakest, the concept struggles to be more than that. These episodes are based on the clever, “what if?” which is neat, but some of it just isn’t enough for 30 minutes of storytelling. That’s not to say they aren’t entertaining, or thought provoking, in their own way, although they do have a tendency to leave little room for audiences to interpret, as the point is explained with a heavy hand. As is often the case with anthologies, then, it was a mixed bag, sometimes more of curiosity than a fully realized vision. But when it works, it really does, and even when it doesn’t, it’s different enough to demand your attention. After all, that was what these women were trying to do.

See also  The Stranger Things Season 4 Format Is Bad Television

Leave a Comment