Don’t Do Your Christopher Walken Impression for Christopher Walken

When Walken is filming something obviously good, though – like True romancehis extensive monologue with Dennis Hopper – he feels it. “The stars were well aligned or something,” says the actor, remembering the backdrop of that day in his usual style with no unnecessary decorations. We shot it one afternoon and when we were done, he said, ‘We did a good scene today.’ And I said, ‘Yes, I know.’ And he said, ‘Let’s go to dinner.’ . »


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Walken’s foolish approach can be traced back to his childhood, when Walken and his two brothers went from Queens to Manhattan for auditions, rushing to close concerts in variety shows and soap operas. In 1954, when Christopher was 11 years old and still watching Ronald, his mother, Rosalie, described putting her three sons in the business in a national newspaper. “Sometimes, I feel like a central casting agency,” Rosalie said, acknowledging that her sons would have to drop out of regular school for a more flexible training schedule.

“It was very different from most of my childhood,” says Walken. “It was an unusual training and I am very happy to have had it. It gave me experience to do what I do as an adult. When you are a child performer, you are competitive. “You’re out there and puzzles.” He does not regret the fact that he lost a “normal childhood” because “I do not know what it would be like. I did not play baseball, basketball. I still can’t swim, but I can dance. It is different.”

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I note the many repetitions of Hollywood and the entertainment he has seen — the 54-day Studio, the cut-off 80s, the financial 90s — and ask what was his favorite pastime.

“The interesting thing about my career is that I was part of something that no longer exists,” Walken said, recalling his days as a child actor in a variety show. in the late 1940s and early 1950s. ” Those were the days. “In a whole neighborhood of people, you had a TV and everyone went to the man’s house to watch his TV. There were no videotapes, so if you did not see Uncle Miltie on a particular night, you missed it. It was not that you could see it again. At that time on television, everything was somewhat individual. In New York, there were 90 live shows from New York each week. They used a lot of kids and I was there for that. And that certainly no longer exists. “

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